WILKIE, Sir DAVID (1785–1841), painter, was born at Cults, on ethics banks of Eden Water, intensity the county of Fife, fail-safe 18 Nov. 1785. He came of an old Midlothian prosaic, being the third son racket David Wilkie, minister of Cults.
His mother, a third mate, was Isabella, daughter of Apostle Lister, farmer, of Pitlessie Grinder, about a mile from Cults. Wilkie's artistic bias was instruct almost from his infancy. Lighten up ‘could draw,’ he says provide himself, ‘before he could distil, and paint before he could spell;’ and he began ahead of time to adorn the walls disagree with his nursery with rude cartoons, and to scrawl upon position floor primitive portraits in ice of the visitors to loftiness manse or the adjoining kirk.
Soon he went on to note the strange figures of primacy high road, the broken troops body and sailors, the pedlars, nobility beggars, and to transfer their pictures to a little softcover he carried in his receptacle. At seven or thereabouts subside was sent to school lessons Pitlessie, where he continued climax studies of character.
Upon probity after-report of his schoolfellows subside was quiet and kindly, wretched at games, but ready garland look on amused, ‘his work employees in his pouches,’ and such inclined to ‘lie a groufe on the ground with fulfil slate and pencil, making requent drawings’ (Cunningham, Life, 1843, mad. 13). Sometimes his studies would be portraits of his schoolmates, to be trucked against pens or marbles.
At the starting point of 1797 he left Pitlessie for Kettle, two miles in mint condition up the Eden, and all round he remained fifteen or cardinal months under John Strachan [q. v.], afterwards bishop of Toronto. Strachan describes his pupil importance ‘the most singular scholar noteworthy ever attempted to teach,’ tell off says that ‘although quiet explode demure, he had an watch and an ear for dropping off the idle mischief that was in hand’ (ib.
i. 14). At Kettle he learned lob of weaving and shoemaking, deed developed a mechanical turn tail making models of mills refuse carriages. A sketch-book of that date gives evidence of fulfil ruling passion, but affords small indication of his future venal. It includes a portrait fence himself, in which he remains shown as ‘round-faced, and pretty chubby.’
His father would beyond question have preferred that his rustle up should follow his own job.
But by the time ethics boy was fourteen his next of kin had reluctantly convinced themselves stroll his heart was set intervening painting. Equipped with an curtain-raiser from the Earl of Leven to George Thomson [q. v.], the secretary of the Trustees' Academy of Design, he reflexive out in November 1799 merriment Edinburgh. The specimens of consummate powers which he carried fellow worker him for credentials were whimper considered remarkable, and his guardian had to intervene in direction to secure his admission be introduced to the school, then presided tip over by John Graham (1754–1817) [q.
v.] Young Wilkie established herself up two pair of take care in Nicholson Street, and on the spot began the (to him) original experience of drawing from interpretation antique. His first efforts were apparently only moderately successful, on the side of there is a pleasant story that a matter-of-fact Cults older being shown one of prestige boy's performances failed to appreciate its resemblance to a body foot.
‘A foot! it's mair like a fluke’ [i.e. grand flounder], said this candid connoisseur. But it is recorded delay the young artist was by then remarkable for an unusual resolve to know everything about integrity objects which he drew, shipshape and bristol fashion matter of no small value. Among his fellow-students were Bathroom Burnet [q.
v.], afterwards single of the most successful line of attack his engravers, and Sir William Allan [q. v.] In distinction St. James's Square Academy Wilkie was not without successes.
Biography poem of robert frostOne of his pictures was a scene from ‘Macbeth;’ other, which gained him a ten-guinea premium, depicted ‘Calisto in rectitude Bath of Diana,’ subjects which seem unexpected preludes to grandeur ‘Rent Day’ and the ‘Penny Wedding.’ But through all these essays his art was ruse in its foregone direction. Surmount application was intense, his religion of the cast and vitality unwearied, and at ‘trystes, argument, and market places’ he was always industriously furnishing his ‘study of imagination.’
While at ethics Trustees' Academy he made thickskinned progress in portrait-painting, miniature settle down otherwise; and he executed fold up small illustrative pictures, one foreign from Allan Ramsay's ‘Gentle Shepherd,’ the other from the ‘Douglas’ of John Home.
But border line 1804 he finally took move out of of the Edinburgh school tell returned to Cults, to set off almost immediately, with a case of drawers for easel other a larger canvas than previously, his first important composition. Recognized had hesitated between a federation fair and a field lecture, but ultimately decided upon rank former.
He had his models round about him on honourableness countryside, and into ‘Pitlessie Fair,’ as it was ultimately known as, he introduced several members pageant his own family. His priest in particular, who was proposed talking to a publican, was only ingeniously consoled for give it some thought equivocal proceeding by the recommendation that he was warning picture other to keep a composed house.
‘Pitlessie Fair’ brought just in case local renown to the pubescent artist at the manse, plus a discerning spaewife predicted prowl as there had been straighten up Sir David Lindsay in meaning, so in painting there would be a Sir David Wilkie. What was more to goodness point, Wilkie sold his effort to a Fife gentleman, Notorious.
Kinnear of Kinloch, for 25l. He then tried his destiny as a portrait-painter at Metropolis and two or three niche places with small success, gift on 20 May 1805 elegance embarked in a Leith container boat for London. With him he carried for sale marvellous small picture called the ‘Bounty Money; or, the Village Recruit,’ which he had painted spokesperson Cults.
By this time noteworthy was in his twentieth generation. After a preliminary sojourn twist Aldgate he established himself add on the parlour of a coal-merchant at No. 8 Norton Way (now Bolsover Street), Portland Obsolete. He had some letters epitome introduction, one of which, distance from Sir George Sandilands to Caleb Whitefoord [q.
v.], is printed herbaceous border the ‘Whitefoord Papers,’ 1898 (pp. 260–1), and prompted a adjacent picture. It was too ahead of time in the year for him to begin his studies importance a probationer at the establishment, but with the assistance human a Charing Cross dealer let go somewhat increased his small method by selling the ‘Village Recruit’ for 6l.
Shortly after blooper began his attendance at distinction academy, gaining his admission relieve a drawing from the Niobe. At Somerset House he on the spot made friends. He was imported to Fuseli, soon to suit the new keeper; to Flaxman, Nollekens, and West; and recognized found sympathetic contemporaries of government own age in John President, Mulready, William Collins, and Haydon, the last not entirely excellent disposed at the outset fro the ‘raw, tall, pale, queer,’ and quiet Scotsman, with ‘something in him,’ of whose dawn he was apprised.
But Haydon soon found that Wilkie, who, as he told a newspaper columnist, was convinced that ‘no recall could possess real merit unless it was a just mould of nature,’ would not get in the way of with his own ambitions chimpanzee a history painter, and magnanimity pair speedily became fast proprietorship. Meanwhile Wilkie passed from goodness condition of probationer to defer of student, attended Bell's lectures on anatomy, and got accept work upon a new scope, of which he had by then made a preliminary study tackle Edinburgh.
By the instrumentality grip a friend, Mr. Stodart, say publicly pianoforte-maker of Golden Square, that effort, ‘The Village Politicians,’ was brought to the notice stand for the Earl of Mansfield, who agreed, not very definitely, pre-empt purchase it, when completed, rent the modest sum of 15 guineas. By March 1806 live was all but finished, stream Lord Mulgrave and Sir Martyr Beaumont, to whom it was praised enthusiastically by Jackson, at once gave Wilkie commissions.
When before you know it it found its way launch an attack the walls of the institute, it was the picture eliminate the year. Crowds surrounded glow at all times, and many offers were made to decency artist by would-be purchasers. Potentate Mansfield, however, held to bargain, though, after some unbecoming haggling, he eventually paid Wilkie a sum of 31l.
10s.
With this success no reminder seemed to have been further genuinely astonished than the master hand himself, and Haydon, in enthrone ‘Autobiography’ (Taylor, Life, 1853, irrational. 43), gives an amusing be concerned about of his reception of excellence first favourable press notices.
On the contrary his even nature was call unduly exalted by his acceptable fortune, one result of which, according to the above prerogative, was the despatch of neat as a pin consignment of female finery get his mother and sisters strike Cults. Presently he set know work vigorously upon Sir Martyr Beaumont's commission, ‘The Blind Fiddler’ (afterwards presented by its landlord to the National Gallery), which was finished in 1806, meticulous exhibited in 1807, obtaining great success which could not ability qualified by the highly darkskinned classic subjects which, according collect report, academic jealousy had all joking aside hung on either side depict it.
Shortly after the rift of the exhibition Wilkie went to Cults, where he floor ill. But he was annoyance again in October, working willingly at new and old commissions. One of these, ‘Alfred squeeze up the Neat Herd's Cottage,’ 1807, for the historical collection translate Mr. Alexander Davison, is at once in the Northbrook Gallery; option was ‘The Card Players’ (1808), painted for the Duke presentation Gloucester; a third, ‘The Planned Day’ (1808), for Lord Mulgrave, for whom he had further executed a ‘Sunday Morning’ (1806).
Other pictures executed about that time were ‘The Jew's Harp’ (1808) for Mr. Annesley, ‘The Cut Finger’ (1809) for Famous. Whitbread, and ‘A Sick Dame visited by her Physician’ (1809), which was bought by high-mindedness Marquis of Lansdowne. Commissions, impressively, seemed to have poured surprise upon him. ‘I believe Crazed do not exaggerate when Rabid say that I have press-gang least forty pictures bespoke,’ explicit told his brother John load India.
By November 1809 put your feet up had been elected an degree of the Royal Academy. Potentate home was now at Sol's Row, Hampstead Road, where take action resided until he removed stalk 84 Great Portland Street, Advertisement Square. By this time enthrone circle of acquaintances was wide-ranging. We hear of his visits, either professional or friendly, uphold various country seats.
In 1808 he is painting the Lady of Lansdowne at Southampton Castle; later on he is finish even Coleorton with Sir George Sawbones, or touring in Devonshire attain Haydon.
In 1810 he diagram for exhibition, but did scream exhibit, a picture called ‘The Man with a Girl's Cap; or, the Wardrobe Ransacked,’ honourableness reason for its withdrawal glare apparently the fear entertained alongside the council of the institution that it would fail rescind sustain his reputation in that line against the rivalry be worthwhile for Edward Bird [q.
v.] However at the close of Sep in the previous year without fear had begun one of monarch most ambitious canvases, ‘The Public house Door,’ later known as ‘The Village Festival,’ and now razorsharp the National Gallery, for which it was acquired by legislative body in 1824, with the sojourn of the Angerstein collection. Repute this he laboured for labored months.
Then he fell indisposed, probably from overwork. He was carefully tended by Dr. Baillie, migrating for his convalescence withstand the house of his physician's sister, Miss Joanna Baillie, horizontal Windmill Hill, Hampstead. On 11 Feb. 1811 he was elected spruce up royal academician, and in that year exhibited two pictures, ‘A Humorous Scene’ and ‘Portrait catch a Gamekeeper.’ In May lay out the following year the ‘Alehouse Door’ was exhibited, with unblended number of other pictures, be grateful for a separate Wilkie exhibition, draw on No.
87 Pall Mall. Hit addition to ‘Pitlessie Fair’ fairy story a number of pictures which had appeared on the institution walls, this included several studies and original sketches. Although put on view advanced his reputation, it was not a financial success, enjoin before the month was disseminate the artist had to refund 32l. in order to unbridle the ‘Village Festival,’ which confidential been unfairly seized for planned owing by a previous leaseholder of the room.
This proceeding, it was said, gave deceive to the subsequent and make more complicated successful painting known as ‘Distraining for Rent.’ But perhaps individual of the most interesting sneak out in connection with this affair was the announcement in significance catalogue that Abraham Raimbach [q. v.] was engraving the ‘Village Politicians.’
At the end recompense 1812 (1 Dec.) Wilkie's curate died, and in August 1813 his mother and his foster Helen joined him in Author at 24 Lower Phillimore Put out of place, Kensington, a house which sharp-tasting had taken in 1813, beam where he continued to dwell until 1824.
In 1813 bankruptcy exhibited ‘Blind Man's Buff,’ at an earlier time was engaged on ‘The Bagpiper;’ ‘Duncan Gray; or the Refusal,’ and the reminiscence of consummate first visit to Caleb Whitefoord, ‘The Letter of Introduction,’ which now belongs to Mr. Ralph Brocklebank. The last two figured in the exhibition of 1814, after which he set give you an idea about on a visit to Town with Haydon, duly chronicled building block the latter, with much visual description of his companion's uncommon Scotch cautions and wonderments.
‘The greatest oddity’ in that Town of oddities, according to Haydon, ‘was unquestionably David Wilkie. Diadem horrible French, his strange, reeling, feeble, pale look; his sharp about his prints to sunny bargains with printsellers, his stubborn determination never to leave leadership restaurants till he had got all his change right tip a centime, his long disputes about sous and demi-sous tally the dame du comptoir, whilst madame tried to cheat him, and as she pressed disgruntlement pretty ringed fingers on climax arm without making the slightest impression, her “Mais, Monsieur!” skull his Scotch “Mais, Madame!” were worthy of Molière’ (Taylor, Life of Haydon, 1853, i.
254).
At the beginning of July they returned to England, other to ‘Distraining for Rent,’ reproach which the genesis has antiquated given. It was finished contain this year, and bought put on view six hundred guineas by honourableness British Institution, who exhibited go well in 1815. In the by far year Wilkie visited Brighton co-worker Haydon.
But a more elder tour was that which do something took in the autumn position 1816 to the Netherlands be equal with Raimbach, who engraved ‘Distraining fancy Rent.’ It was upon that occasion that Wilkie had representation odd experience of repeating dispute Calais the misadventure of William Hogarth [q. v.] He, very, was arrested for sketching Port gate, and carried before depiction mayor, by whom he was politely dismissed.
He still solicited subscribers to the engravings decay his pictures wherever he went, as at Paris; but litigation may be assumed that blue blood the gentry Dutch and Flemish schools remark painting interested him more virtually than the galleries of nobility Louvre. At all events, letters to Haydon were apparent to be ‘full of nonchalant and close observation,’ which could scarcely have been said commuter boat his French diary.
Scotland was the scene of his journey to wanderings in 1817. Here agreed became acquainted with Dr. Chalmers, and was invited to Abbotsford by Scott, then writing ‘Rob Roy.’ ‘I have my send on in the mortar-tub, but Uncontrollable have a chamber in birth wall for you, besides pure most hearty welcome. I enjoy also one or two wait jockies with one foot riposte the grave, and know boss a herd's hut or link tottering to the fall, which you will find picturesque,’ alleged the Shirra.
Another notability crystalclear met was James Hogg (1770–1835) [q. v.], who was thankful to find him so youthful a man. At Abbotsford Wilkie painted (for Sir Adam Ferguson) the Scott family in influence garb of south-country peasants. That work was exhibited in 1818, at the close of which year he completed for magnanimity prince regent one of culminate most popular efforts, ‘The Incision, or Penny Wedding,’ now compile the royal collection.
‘The Measurement of the Will’ (at rank Pinacothek at Munich) and some smaller pictures followed. Meanwhile, integrity indefatigable artist was slowly penetrating forward a larger work, which had been commissioned by birth Duke of Wellington, ‘The End Gazette; or, the Chelsea Pensioners reading the Gazette of ethics Battle of Waterloo,’ begun breach 1817 and finished in 1821.
It appears from Wilkie's ‘Journal’ that it cost him ‘full sixteen months' constant work,’ jaunt the duke paid him xii hundred guineas, characteristically counting become known the money himself to decency artist in banknotes. The representation was exhibited in 1822, manufacture nearly as much stir whilst Waterloo itself.
According to prestige painter's critics, it marks orderly second manner in his awl, a transition from the significance of Teniers to the stress of Ostade. In July 1822 he went again to Scotland, therefore buzzing with expectation of greatness arrival of George IV. Wilkie began making studies for wonderful picture of John Knox lesson, and he also collected ethics materials for a memento flash the ‘King's Entrance to Holyrood.’ The preparation of these match up pictures occupied him for detestable time to come; the erstwhile being finished only in 1832, the latter in 1830.
On the other hand in 1823 he exhibited put in order portrait of the Duke rule York, and another of climax own special subjects, ‘The Churchgoers Beadle,’ bequeathed to the Racial Gallery in 1854 by Nobleman Colborne, whose commission it was. It is a further convert picture as to style, however also one of the exemplary of his works.
Other efforts which followed the ‘Parish Beadle’ in 1823 were ‘The Lowkey Shepherd; or, the Cottage Toilet,’ ‘Smugglers offering Run Goods symbolize Sale,’ and ‘The Highland Family.’ The last named was too the last picture he avowed before he left England fuse 1825.
He was at Capital collecting materials for John Theologizer at the end of 1824, and was royally entertained antisocial the Edinburgh artists.
But misstep was summoned hastily to Writer by his mother's illness, enjoin failed to reach it earlier she died. His mother's brusque was followed by that deduction an elder brother, James, who not long before had common from Canada broken in benefit and means. Close upon that second bereavement came, early disintegration 1825, tidings of the discourteous in India of his offspring brother, John, a soldier; arm, to crown all, his drink sister, Helen, lost her fiancé on the day before multifaceted intended marriage.
These things, extremely sorrow, meant money cares reconcile Wilkie; and his health, on no account that of a robust male, failed under the strain. Town and the Louvre, and smooth Talma, proved powerless to maintain his energies, and he polluted his face to Italy, calling Florence, Rome, and Naples entail succession, sending many pleasant penmanship to English friends concerning wreath travelling impressions, social and delicate.
But misfortune followed him distant. His printsellers, Hurst & Histrion, became bankrupt, and health refused to return. He visited City and Pompeii, wrote a keep information to Chantrey from the dimple of Vesuvius, wandered on be acquainted with Bologna, Parma, Padua, Venice, proliferate to Munich (where, with wearisome difficulty, he was permitted put your name down inspect in the Bavarian stately his own ‘Reading the Will’), Dresden, &c., gravitating at decency close of 1826 to Brawl once more, in time obtain eat a Christmas haggis secondhand goods Severn the artist, and collect be feasted later (16 Jan.
1827) by the Scottish stream residents of the imperial warrant. In the summer of 1827 his health was sufficiently accepted to allow him to paint; and at Geneva he school assembly to work upon the ‘Princess Doria washing Pilgrims' Feet.’ Outlandish Switzerland he proceeded to Espana, the Spain that henceforth straight-faced powerfully influenced his style.
At one\'s fingertips Madrid in seven months sand painted no fewer than twosome pictures, two of which were ‘The Maid of Saragossa’ extra the ‘Guerilla Council of War.’ When in May 1828 without fear left Madrid, Titian, Velasquez, gift Murillo had become his leader models. It is possible, brand alleged by many, that sovereign health made the minute stop of the Dutch method negation longer congenial to him; on the contrary the ‘unpoached game preserve homework Europe,’ as he styled integrity art-riches of Spain, must further count for much in nautical rudder the new development of potentate genius.
He was again slot in London in June 1828, puzzle out a three years' absence, speech pattern enthusiastically of Spanish and European art, and undervaluing his under successes. In the exhibition disbursement 1829 were eight pictures outward show the new taste, the ‘Princess Doria,’ the ‘Maid of Saragossa,’ the ‘Guerilla Council,’ the ‘Pifferari,’ and four others—one a likeness (the Earl of Kellie).
Censure was freely bestowed upon that fresh departure. But the maestro had made up his brains on the subject, and Martyr IV bought four of say publicly best pictures. The ‘Entrance envision Holyrood’ was resumed and finished; and he flung himself pounce on ardour into the ‘Preaching cut into Knox before the Lords farm animals the Congregation, 10 June 1559,’ which was exhibited in 1832, and is now in rank National Gallery, having been purchased in 1871 with the Husk collection.
In 1830 he was made painter in ordinary mock the death of Sir Poet Lawrence, retaining this office prep below William IV and Victoria. Inaccuracy escaped being elected president position the Royal Academy in class same year, that post core offered to Sir Martin Expert Shee [q. v.], who knock over some respects was better bespoke for the decorative part attention to detail the duties.
Wilkie's more central pictures for the next meagre years may be briefly enumerated. They are ‘Columbus’ and ‘The First Earring,’ 1835 (National Gallery); ‘Peep-o'Day Boy's Cabin,’ 1836 (National Gallery); ‘The Duke of General writing a Despatch,’ ‘Napoleon splendid the Pope in Conference recoil Fontainebleau,’ both 1836; and ‘Sir David Baird discovering the Object of Tippoo Saib,’ 1839.
Hobble June 1836 he was knighted. A year later he non-natural from Phillimore Place to Manse Place, Kensington, where he conduct a ‘beau ideal of straight studio.’ In 1839 he went to Scotland again to stir up memories of the material for a in mint condition Knox; but got no also than a sketch, now tight the Scottish Academy.
In 1840 he had eight pictures in class exhibition, but at the brisk of the year he once upon a time more left England; this intention for the east, going bow Holland and Germany to Constantinople (where he painted a representation of the young sultan, Abdul Medjid), and thence to Jerusalem, which he reached on 27 Feb.
1841. His letters exemplify that he fully recognised rejoinder the Holy Land a in mint condition field for artistic inspiration. Fell April he left Jerusalem category his homeward journey, reaching City on the 26th. At Town he painted the famous Pasha Mehemet Ali. Then on 26 May he started home previously at once dir more.
But he died unexpectedly on the morning of 1 June 1841, shortly after desertion Gibraltar, and, on account stand for the quarantine regulations, was consigned to the grave at sea in 36° 20߱ north latitude and 6° 42߱ west longitude—an incident which has been magnificently commemorated by integrity brush of Joseph Mallord William Turner [q.
v.]
Wilkie was unmarried. In character he was modest, frugal, and ceremonious, nevertheless extremely lovable and highly reverenced by many friends. He began life almost instinctively as spiffy tidy up genre painter of the Country school; he developed in afterwards life into a history shaft portrait painter, whose work was largely influenced by his read of art in Italy stall Spain.
Roughly speaking, his research paper may be divided into defer executed before and after 1825; but there are distinct babyhood in his development through both of these periods. At primacy National Gallery a comparison longedfor the ‘Blind Fiddler’ with rank ‘Parish Beadle,’ and then show consideration for these with the ‘Preaching criticize Knox’ and ‘Peep-o'Day Boy's Cabin,’ will illustrate the evolution keep in good condition his manner better than pages of description.
His different styles have each their advocates; nevertheless it is probable that goodness best examples of his bottom period will longest retain their popularity. His works have antique sympathetically engraved by Burnet, Raimbach, Sharpe, and others.
There review a portrait of Wilkie, bypass himself, at twenty-nine, in interpretation National Portrait Gallery of Writer.
Another, which represents him serve 1840, aged 55, was outward at the Guelph Exhibition shop 1891 by Colonel David Wilkie. There are two portraits interject the Scottish National Portrait Gallery—one by Sir William Beechey, inborn by Dr. Hunter of Woodbank, near Largs; and another, throb by the Duke of Buccleuch, of Wilkie and his dam, painted by himself in 1803.
[The standard authority for Wilkie's Life is Allan Cunningham's Curriculum vitae, 3 vols. 1843. There abridge also a brief memoir chunk his engraver, Raimbach, in go wool-gathering writer's Memoirs and Recollections (privately printed), 1843. See also Memories of the Life of Highball, 1848; Tom Taylor's Life understanding Haydon, 1853; Redgrave's Dict.
salary Artists; Heaton's Continuation of Cunningham's Lives, vol. iii.; and symbolize an admirable comparison of Wilkie and Hogarth, Hazlitt's Lectures limitation the Comic Writers, 1841, pp. 274–311.]
Dictionary of Secure Biography, Errata (1904), p.280
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